Religion Without Mythology

All around me this week, people are attending religious ceremonies.

Passover began on Monday night, and Jewish households gathered around a festive table to ceremonially tell the story of the Israelite exodus from slavery in Egypt.

Western Christians similarly are retelling the story of Jesus’ last week, beginning with his entry into Jerusalem for the feast of Passover. The events of the last week of Jesus’ life are told ritually in worship services that reenact his last meal, his washing his disciples’ feet, his arrest and trial, his execution and reappearance.

Myths, in all cultures, find their living expression in liturgical drama. They are told and acted out by participants. Processions, costumes, songs, symbolic foods and meals, the burning of fires, being plunged into darkness—the stories of the gods and goddesses and spirits and ancestors come alive in real experiences in the here and now.

Mythology isn’t something that happened, an historical occurrence from many years ago, it is something that happens. It takes place in the present-tense of symbolic life, the life of the psyche.

Myth is something that occurs to participants in the liturgical drama. It is happening to us. We are slaves in Egypt, and we witness the saving hand of God at work in the world. We walk along the dry bottom of the sea, and are redeemed to a life of freedom. We shout Hosanna! and wave palm branches in the air to herald the arrival of a donkey-riding king. We sit at the Passover table with him, break bread and pass the cup, have our feet washed, sing lamentations at the foot of the cross.

The mythic is not historic. It’s not even always theological. It’s theatrical.

It’s always a mistake to read myth as history or science. Though it seems to be telling the story of, for example, how the universe came into being, or how human life began, this is neither history or science. It’s drama. It’s the theological poetry into which listeners (literally, an “audience”) are meant to enter as participants.

And so I am feeling a little bereft this week. My Unitarian Universalist congregation has nothing going on this week.  We will acknowledge a liberal, vaguely Christian, vaguely Pagan, form of Easter on Sunday, but that’s it.

As a religion, we don’t have myth. This is meant to be liberating and modern, but it is feeling a little soulless and disenchanting to me this week.

Many of us like to hear mythologies and ponder their meanings, but in our common worship life we never enter the darkened theatre of sacred story as actors, participants. Most keep a critical distance, sometimes pooh-poohing “superstition,” sometimes romanticizing other people’s religious practices.

This experiment in religion divorced from sacred story is relatively new, even for us. Two generations ago, Unitarians and Universalists had biblical mythology as their foundational sacred story. Some still do.

And even then, our historic traditions were low on the drama scale, at most reenacting Jesus’ table fellowship with an occasional communion service. Our worship has always focused on the word, spoken and written.

UUs have lots of sacred stories (usually our own, usually individual first person stories) but no sacred story that is ritualized in worship.

UUs have rites of passage, ways of marking individual journeys through time and life’s transformations.

Many Unitarian Universalist congregations have rituals, ceremonies that usually enact or affirm our own sense of our own selves, our own community. A ceremony in which participants pour their personal portion of water into a common font to symbolize our coming together in community, for example, or a ceremony of shared flowers to symbolize the gifts we offer and share in community. Sometimes there are stories attached to these symbolic gestures—Norbert Capek and his first flower ceremony in Prague in 1923, for example.

We have the symbol of a flame within the common cup. We have heroes and heroines of our history, and retell their legends. Somebody has apparently even invented a seven-day UU holiday in December—focused on principles—principles we ourselves establish as an association—not on a story.

All this, we have. But a mythology we do not.

I suppose this is a trade-off in having a religion that is entirely self-derived. What rites and symbols we do have point to the ultimate source of the religion—our selves.

What story could we enact together liturgically? If we were to create ritual around some universal story, some collectively meaningful story, what would it be? The great Flaring Forth at the beginning of the universe? The pageantry of the emergence of life on this planet? In other words, the story that science tells?

What else?



Guided By The Light Within II

Within the turbulent middle seventeenth century in England, a new religious movement emerged. They called themselves Children of the Light, but their detractors called them Quakers, because of the way they trembled and quaked with enthusiasm as they prayed.

The movement’s founder, George Fox, had been a restless seeker, given to solitary, thoughtful contemplation of scripture and serious conversation with religious leaders. Dissatisfied with the Church of England’s insistence that clergy who studied at Oxford and Cambridge were therefore necessarily prepared for their duties, Fox wandered the country trying to find, among the radical preachers who had separated from the Church of England, one who could address his spiritual need.

Being educated didn’t guarantee spiritual authenticity. Being enthusiastic or critical of the established religious order didn’t make one holy, either. As he writes in his Journal, Fox was ready to give up on finding anyone, any priest or preacher, who could speak to his condition:

“And when all my hopes in them and in all men were gone, so that I had nothing outwardly to help me, nor could I tell what to do, then, oh then, I heard a voice which said, ‘There is one, even Christ Jesus that can speak to thy condition.’ And when I heard it my heart did leap for joy.”

The direct experience of the Living Christ was not only possible, but it trumped all other ways of experiencing the presence of God. No priest or ceremony or sacrament or prayer book or scripture could adequately convey God’s presence compared to this direct encounter. George Fox proclaimed, “Christ has come to teach His people himself.” Christ was present as an inward reality, incarnate within every person. The Living Christ was a light within and among people who sought him out. Jesus says of himself in the gospel of John:

“Yet a little while is the light with you. While ye have light, believe in the light, that ye may be the children of light.” (John 12:35-36)

The fundamental authority and organizing principle of these Children of the Light, or Friends of the Light, was the direct inward encounter with God’s living presence. Revelation was ongoing and immanent. The still small voice of God could be heard by anyone with ears to hear. The Voice, the Word of God, is found in the silence.

These Quakers created formless or unprogrammed worship that cultivated this listening, inward attention. Worship was the unmediated encounter with God. Another radical dissenting religious group in England familiar to George Fox was known as the Seekers. They would gather together in silence until the Spirit gave the preacher words to convey to the congregation.

Among Quakers, worshippers remained in silence until the Spirit gave anybody present, not just the minister, something to say. There was no program of scripture reading or hymn singing or congregational prayer or pastoral preaching, simply the expectant silence of the gathered faithful waiting and listening for the voice of God.

In addition to worship, the direct encounter with the Inward Light, shaped the way the Quakers conducted themselves as a group and in the world. Church business was based on the principle of corporate direct guidance. Meetings for business were like meetings for worship in which participants waited for the promptings and leadings of the Spirit.

George Fox advised his followers “to walk cheerfully over the world, answering that of God in every one.” There was something “of God” in every person. Quakers pointed out that in John’s gospel Jesus is described as the true Light that “lighteth every man that cometh into the world.” (John 1:9) Every person had access to this light. People bore this light within themselves. And if this was true, and if God’s revelation could be directly given to anybody, then everybody was equal. Every person was to be cherished as a potential vehicle for the will of God, every person was to be valued as a possible instrument for the voice of God.

War, the division of people into lesser and higher races, inequalities because of class or gender, were all rejected in light of this view that every person held within them something of God, a divine Inner Light. This affirmation led to Quaker testimonies for peacemaking and abolition of slavery and women’s equality.

In many of these endeavors, American Quakers in the eighteenth and nineteenth century were joined by Universalists and Unitarians. These were the primary religious groups in North America that promoted the theological and spiritual idea that people were vessels of the divine, that people bore a resemblance to God, that human individuals were essentially good.

The mythic narratives of Inward Light and divine image informed a worldview that held the human person in high esteem, as distinct from majority religious groups that had a much more pessimistic view of humanity. In the majority culture, people were sinful and defective, views that were informed by narratives of an angry, punishing deity who stood in judgment of the world.

What sacred story do we tell today that guides and reinforces our principled living?

Guided by the Light Within

In medieval Judaism, in the esoteric tradition known as kabbalah, the story is told of the beginning of humanity, the beginning of the universe. In this story, only God existed. God was pure light, Divine Light. Wanting to understand himself better, God created the universe by contracting into a tiny seed of burning energy, withdrawing in order to make space for creation, and then exploding in a cosmic Flaring Forth.

In the process of this flaring forth, the emanating bits of Divine Light broke up into shards. These broken splinters are what constitute the material world. Within everything that exists, there is a broken off bit of Divine Light. At the core of what is, there burns a holy fire, a spark of sacred energy.

When God then created the primordial human being, God was gathering bits of luminous dust in an attempt to reintegrate and bind together broken pieces of the Divine. The human person, then, represents the intention of integrity and wholeness. When Adam disobeyed God, his divine essence sank to a lower realm of existence and with him, all of humanity fell and falls.

Religious practice, in this Neo-Platonic Jewish version of Gnosticism, is a matter of collecting shards of Divine Light. Through prayer and study of scripture and worship and ethical action, the broken bits of God are joined. The cosmic Humpty Dumpty is being put back together. The work that people are called to is the binding together of a broken universe, the recollection of the divine particles into an integral whole.

Myths, and especially myths that tell of the universe and humanity’s origins, are valuable in that they describe a particular culture or religion or worldview’s anthropology. These stories are saying something about the nature of humanity and human life. I find a number of things compelling in this mythic story of the origins of the universe.

Human beings are made of stardust, bits of what exploded out of the origin of the universe, and so we are related to all that is. And the stuff we are made of is sacred, literally godly.

A God who is not omnipotent, and which needs humanity in order to exist is a contradiction of mainstream Jewish thinking about God, and indeed to many monotheists is pure anathema. God cannot mend the world on his own, in this worldview, but needs humankind to do it with and for him. Salvation, creating an integrated whole out of what is broken, is human work, not divine work. It is human beings, through our actions, that mend the broken world. This is the meaning of tikkun olam, literally the repair or mending of the world. Contemporary liberal and progressive Judaism has taken this notion of tikkun olam and applies it to the work of social justice, helping contemporary Jews and others understand the work of making the world a better place as a sacred calling.

And finally, I find this myth compelling in what it says about human community. It is when we gather together that our tiny sparks unite to make a divine fire, a collective godly blaze. Inherent godliness, action in the world and the importance of community are the parts of this myth I find captivating.

The traditional, accepted version of how the world came to be in Judaism is found in the Bible. There are actually two creation stories told there. We find in the book of Genesis a basic affirmation echoed throughout the world’s monotheistic religions.“Then God said, ‘Let us make human beings in our image, in our likeness” so that humans can rule over the rest of God’s created order, to be, in some sense, God’s representatives in creation, God’s agents in creation.

“So God created human beings in his own image, in the image of God he created them; male and female he created them.” (Genesis 1:26-27)

In this cosmogony, God distinguishes between the human race and the rest of creation. God made us in his own image—we bear a family resemblance to our Creator. We have capacities beyond those of other animals, including, as it turns out in the second creation story in the book of Genesis, the capacity to choose.

“What are human beings that you are mindful of them, mere mortals that you care for them? You have made them a little lower than the angels, and crowned them with glory and honor. You made them rulers over the works of your hands.” (Psalm 8:4-6)

This celebration of the human has frequently been misinterpreted as a divine permission to do whatever we want with the natural order. Or that we are over and above the rest of the natural world rather than embedded within nature as creation’s self-reflective agent. This story calls us, instead, to act within the creation as God would—creatively, caringly, with a sense of balance and order and rightness.

In this worldview, we are given abilities and responsibilities in order to reflect God’s own nature in the world. Our task, our calling, as human creatures, is as bearers of the divine image in the ongoing and unfolding drama of creation, to participate in restoring the world’s balance, saving the world’s integrity, and savoring the world’s beauty.

The human person, as a living icon of the divine, is sacred. The worth and dignity of the human person is inherent. We are not intrinsically wicked or depraved or flawed. We are not the unwilling heirs of an original sin committed by primordial humankind. We are inheritors of divine consecration, born into original blessing. Our dignity and worth is not something that we have to work at, it does not accrue to our personhood through acts of righteousness.

Nor, conversely, can it be taken away. I remember participating in a ludicrous online discussion among Unitarian Universalist ministers who publicly pondered the inherent dignity and worth of the terrorists who committed the unspeakably horrific acts of September 11, 2001. Could these terrorists’ inherent dignity and worth be denied because of their heinous crimes against humanity? these ponderous theologians asked, as if the meaning of the word “inherent” had escaped them and as if they had forgotten the witness of our movement’s most basic theological principles.

The radical and distinctive testimony of Universalists and Unitarians throughout history has been precisely that the most wicked of men and women are still made in the image and likeness of God, and are therefore redeemable. Every person, no matter how lowly or uneducated or misguided, is salvageable and will be saved. Every person, no matter how imperfect, can be perfected. The torturer and the terrorist, the dictator and the demagogue, share with the entire human family the divine likeness.

Hangings and lethal injections, torture and war, hunger and injury are all desecrations. They desecrate the holy image of God. Any threat to the health, wholeness and integrity of the human person desecrates what reflects the divine. Unitarians and Universalists, and contemporary Unitarian Universalists are inheritors of this worldview. Our heritage is rooted in these stories of original blessing, though today we no longer have a common theological language—or indeed much of a theological language at all.

We speak in secular terms of the inherent dignity and worth of every person. We speak of the inherent dignity and worth of each individual person as an a priori philosophical assumption. These words flow glibly off the tongue—inherent dignity and worth of people—and we don’t always wrestle with the radical, deeply profoundly radical, implications of this affirmation.

Are we really able to recognize something divine, something precious and holy, in the most despicable of individuals?

To have forgotten the divine imprint, to have forfeited God’s original blessing, is to deny the responsibility of being divine agents in the world creating the social order of justice, peace, and wholeness. The work of making justice is therefore work that needs to call to mind “that of God” in every person. Justice making is work that reminds torturer and tortured, terrorist and terrorized alike that we each bear the image and likeness of our Creator. The work of tikkun olam, the mending or repair of the world, happens only as the divine light within each person is acknowledged and honored. At the core of what is, there burns a holy fire, a spark of sacred energy, an Inner Light.

Our vocation as contemporary religious liberals is to act in the light of our affirmation that there is something precious about each individual. There is something unique and indeed sacred in every person.

And that includes people we don’t like. That includes our enemies.

It is our calling, through our actions, to mend the broken world, to create a social order grounded in justice, equity and peace. What story do we tell today about the how and why of this high calling?

Guadalupe: Mother of My Cross-Bred Soul

The year is 1531.

It is not quite dawn and the hills outside Mexico City are still shrouded in darkness, the sky lightening where the stars are disappearing in the east. A Native man, dressed in the simple cactus-fiber tunic that the peasants here wear, is making his way to Mass on this Saturday morning.

It is December, and the air is crisp with cold. The man, a recent convert to Roman Catholicism, stops as he hears voices. He looks up to Mount Tepeyac, from where it appears the sound of singing, like that of precious birds, is coming. From the summit of the hill, he hears a voice. “Dignified Juan,” the voice says, calling him by name. “Dignified Juan Diego.”

Juan begins up the hill uncertainly. Up ahead, he sees a lady, standing and beckoning him to come forward. She is beautiful and glows with a radiant light. This most amazing light illumines the rocks and shrubs surrounding her. She speaks, saying, “I am the entirely and ever Virgin, Saint Mary.”

She goes on to tell Juan Diego that she wants a shrine, a hermitage, a shelter built in her honor, here on Mount Tepeyac. And that she wants Juan to go to the palace of the bishop in Mexico City with this request.

Taking his leave of her, Juan Diego goes straight into the city to the palace of the bishop. The bishop, of course, is a ruling-class Spaniard, and this is the imperial city of Tenochtilan, and Juan is, of course, a peasant and an Indian. The bishop’s attendants leave him waiting for a long time, and when the bishop finally speaks to Juan, in passing, he dismisses his vision.

Returning, Juan finds the heavenly lady waiting for him in the same place he had encountered her earlier. Juan tells her what has happened, how he was kept waiting, and how the bishop dismissed him without even hearing his story. Juan begs the Virgin to send somebody nobler, better known, somebody respected and esteemed. “No one will believe me, my Lady and my Queen. I am nothing but a campesino.” The Virgin rejects these protestations, insisting that he is the one to make her message known to the official church.

Again, Juan heads into the city, and again is put off from seeing the bishop, and again is admitted reluctantly. This time, the bishop tells Juan that he must provide some proof that this vision he says he keeps having is actually the Virgin Mary herself.

The next day, Juan hastens to the bedside of his uncle who is dying of a pestilence. His uncle begs Juan to fetch a priest to give him last rites before he dies. Juan hurries off into the crisp December dawn. He needs to take the path upon which the Virgin Mary has appeared to him, but, because his last interview with the bishop didn’t go so well, he wants to avoid her, so he goes another way. Despite his attempt, the Heavenly Lady again appears before him glowing with preternatural light, surrounded by the sound of birds.

“Where are you going?” she asks. Juan confesses that he needs to get the priest before his uncle dies. She tells him that his uncle is well, that he has been healed. She tells Juan to go back to see for himself that his uncle is well, and that when Juan returns, she will provide proof of her identity for the skeptical bishop.

On December 12, 1531, the Virgin Mary appears again to Juan Diego on top of Tepeyac hill. Flowers, rich, fragrant roses from Castile in full bloom, surround her though this is neither the place nor the season for such flowers. It is the desert in winter in Mesoamerica.

“Collect these flowers,” she tells Juan. “They will be your proof to the bishop so that he will believe it is I who am requesting a shrine be built for me upon this hill.” With the flowers gathered up into his simple tunic, Juan heads for the bishop’s palace. This time, the attendants are astounded that the poor Indian who doesn’t seem to know when to go away is back, and back with what seems to be miraculous flowers. Juan is ushered into the bishop’s presence right away. Juan unwraps his tunic, and the fragrant, out-of-season, Castilian flowers tumble out triumphantly at the bishop’s feet.

And there, on the fabric of the poor Indian’s tunic, is an image. It is an image of the Ever Virgin Holy Mary Mother of God.


You can see this image today, at the basilica in Mexico City dedicated to Our Lady of Guadalupe. The bishop, it seems, heard and believed, and built a shelter dedicated to her on that hill. The image in the basilica of Our Lady of Guadalupe is the original cloth, though about a hundred years after these events, somebody has touched it up to make it look a little more like the European representations of the Virgin Mary. They added stars and a crown and a crescent moon beneath her feet and a halo around her entire body. It is, of course, possible that the entire image was painted on and there are many who claim this is the case, a seventeenth century fiction fabricated (so to speak) within a discourse that pitted Native piety against Church hierarchy.

Her mantel drapes her head and falls about her shoulder and arms. Her hands are clasped before her. She is not carrying a baby. She is serene. And all around her, the spiky body halo. The most remarkable feature of this now ubiquitous image of Our Lady of Guadalupe is the fact that she is brown-skinned. She is widely known in Mexico as la virgen morena, the dark-skinned virgin. She looks more like an aboriginal princess than a European lady. The very name Guadalupe, in fact, is probably a reference to the statue of the Virgin Mary in northern Spain by that name. That statue is carved out of a very dark wood, giving the impression of a dark-skinned Goddess more than the pale images of Mary current in European art. Many of the Spanish troops stationed at Tepeyac were from this region of Spain and may have identified the Mexican virgin with the one in Spain.

I was first introduced to the Virgin of Guadalupe soon after her feast day many years ago, when I found myself in Trinity Church in Boston, hearing about a pilgrimage somebody had made in her honor. When I visited Santa Fe, New Mexico a few weeks later, I discovered such pilgrimages were common there, with pilgrims not only going to the basilica in Mexico, but to various sacred places in the state. Sante Fe is the home of the first church dedicated to her in the United States.

The more I learned her story and saw her image, the more fascinated I became by this figure, and by the meanings that resonate out from around her like the glow of her halo. I became intrigued with what seemed to me a rich, archetypal symbol of the divine feminine and an incarnation of liberationist, post-colonial wisdom.

The fact that this is the story of a Native, an Aztec who converted to Catholicism first caught my attention. My ear is always inclined toward colonized peoples and the stories we tell through our art and religious expression. It is the story of an indigenous person whom the divine visits, and whose narration of this visitation is disbelieved by the colonial powers that be.

Who is authorized to narrate stories of the miraculous, of the divine? By what authority does a Native talk back to the power that subjugate his people, take his land, that erase his language, religion, and existence? What empowers the poor and disenfranchised to talk back to the ruling class?

“Send somebody else,” Juan Diego says. “Send a nobleman, a Spaniard, somebody educated and literate. Not me.” But the Heavenly Lady insists it must be him, and it is the bishop, representing imperial Spain, that must be converted to this poor indigenous person’s simple message to honor her wishes.

Also of note is the fact that the mountain on which Our Lady of Guadalupe is asking to be honored happens to have been the mountain that was sacred to the Aztec goddess Tonantzin. The memory of the Goddess, officially erased by the church, asserts itself. Like a flashback through the clouds of amnesia, the Goddess remains alive. The Franciscans whose missionary activities accompanied Spain’s colonization translated the Virgin Mary into the local dialect as Tonantzin, meaning “our precious mother,” though this word was also the name of the erstwhile Aztec goddess.

Her extinction is resisted by subterfuge; she lives on inscribed within the image of the European Christian Mary. The memory of Tonantzin persists in an act of resistance, in opposition to the disappearance of Native culture and religion.

What also interested me were the uses Our Lady of Guadalupe has had by the First Nations of Mesoamerica. In the 1500s, there were several Native and mestizo uprisings against Spanish rule that took on Guadalupe as their patron. The Mexican patriot Hidalgo, leading bands of mestizo and Native rebels, carried a banner depicting the Virgin of Guadalupe into battle in the 1880s, as did Emiliano Zapata in 1914.  The republic’s first president, Guadalupe Victoria took his patroness’s name after she helped him, he believes, win a decisive battle. In the 1960s and 70s, the Mexican-American labor activist Cesar Chavez marched under a banner of Our Lady of Guadalupe as he agitated for the rights of migrant farm workers.

Guadalupe is an oppositional symbol, a sign of resistance to the powers that be. She is referred to often as the Madonna of the Barrios, the protector of the poor. She is the compassionate mother, and also the defiant Mary who proclaimed the Magnificat:

“[God] has scattered the proud in the thoughts of their hearts.He has brought down the powerful from their thrones and lifted up the lowly; he has filled the hungry with good things, and sent the rich away empty.”

Colonized people respond in many ways to our colonizers. One way is to adopt wholesale the imperial culture, to speak its language and learn its customs, to play its music, to practice its visual art and its religion. This was the so-called “civilizing mission” of the Spanish, along with of course the French and the British. As their empires spanned the globe, these imperial cultures thought of themselves as bringing civilization to the savages. At the same time, they didn’t really believe that the indigenous peoples of the continents they conquered were actually capable of becoming civilized. So the colonized person who adopts wholesale the culture of the colonizer is never really admitted into the circle of civilization despite his or her best efforts.

Another response is for the colonized to reject the colonial culture entirely, to assert our own, aboriginal culture and identity. This is the way of nationalists and separatists, who insist on preserving and promoting the traditional ways of the people. Traditions of language and art and religion are maintained with a sense of pride and self-worth.

One other response might be what we see in the figure of Our Lady of Guadalupe. Aspects of the colonial culture are adopted, but not wholesale. They are invested with meanings the colonizers did not intend, oppositional meanings that, like Juan Diego, talk back to the powers that be. The indigenous cultures are not wiped out wholesale, not silenced definitively, but rather remain present and in constant dialogue with imperial power.

Colonized people do not passively accept domination, even as the unequal power relations strip away all means of cultural production and self-determination. Liberatory, transgressive, and self-affirming messages from the dominating culture are highlighted and drawn upon. An evolving, hybrid culture emerges that is a vehicle for the self-expression of the colonized using the narratives and images imposed by the colonizer. Juan Diego is the prototype of the Indian who is a Christian but not a traitor. Juan Diego is a convert who does not abandon the traditions of his ancestors.

The Virgin of Guadalupe is mestiza, a mixture of Spanish and Native American. I myself am a mix of cultures and national identities. I am drawn to her. She gathers in all of us caught between worlds, between languages and cultures and religions, between the worlds of home and foreign land, of belonging and exile.

I see myself in the story of Juan Diego and the Virgin of Guadalupe. More often than not, I am the bishop, the skeptic. I don’t believe in miracles. And if you say you have experienced something miraculous, I want proof.

But I see myself in Juan Diego, too. Caught between cultures, wanting to move into new territory religiously without abandoning the old altogether, finding a voice to talk back to the powers that be, a bearer of dangerous memories–like him, remembering the Goddess on the hill and using the language and piety of the changed circumstances his people found themselves in.

In the collage of our soul’s world, we rearrange the pieces we are given, creating our own works of art and beauty. I had once dismissed the Virgin Mary as a useful potential archetype of the divine feminine, hopelessly trapped up there on her sexist pedestal, meek and submissive, lauded only for who her son turned out to be–until I met Guadalupe.

Guadalupe is for me the figure of America, the Americas–not European, but not Native or African either, but rather mestizo, creole, an emblem of the hybridity and mixed cultures that is both my own heritage and the fraught heritage of the encounter of Spanish, French, English, African and First Nations peoples. Guadalupe is the figure of my own queer spirit, my own immigrant, cross-bred soul–and can be, I think, for any of us who grew up strange and queer to our own families, who adopted the ways of this country to our parents’ chagrin, who are nostalgic for a homeland we have never seen, who have crossed oceans of loneliness to make our own way in an unfriendly land, who are émigrés from devastated places that no longer exist, who are unrelated by blood to those closest to us, who long for companions to speak to us in a mother tongue we have forgotten. For all of us lost, forgotten, and abandoned, she comes.

Without knowing what I needed until I met her, I am devoted to her now. She represents the creating, subversive power within and the creative subversions of post-colonial peoples. She is the invitation to speak, to narrate, to tell, to talk back. She is an emblem of the long march toward justice and inclusion in which I walk.

The voice that calls will not choose somebody else. It is we who must do this work, to use what is found to forge a religion of the present and future–we who have been unauthorized and demonized, silenced and sidelined.

And so I invite you to a place in the twilight of dawn, where the imagination, the soul, is awakened. Into this numinous space we come, this place of potential for creating religious culture that is a vehicle for our self-expression, for our becoming, that can re-imagine the past in order to create a future that includes all of our hybrid, complicated, contradictory selves.